When I look back on my childhood, one of my biggest regrets is that I never learned to play a musical instrument.
Now while some of you will reason that my failure to learn to play an instrument was a direct result of having something frivolous like a Gameboy glued to my hands (you may have a point), I like to think that it was partly due to the lack of proper musical inspiration. Sure I listened to music and yes, my early grade school education contained some rudimentary elements of music education, but as a child I never saw myself or to a greater extent, people who looked like me playing the instruments that my parents so desperately wanted me to pick up.
I share my personal tale of childhood regret not to generate any level of sympathy, but to introduce a reality of representation (or lack there of) that impacts more individuals than we may realize. While history is certainly littered with a number of immensely talented musical artists from a variety of cultural and social backgrounds, there are specific genres of music where the visibility of said diversity is less prevalent than others. An issue that can be compounded by popular media narratives, particular forms of music can seemingly be preordained for particular groups. One striking example of this is in the branding of classical music. Now while it is certainly not news that various social and economic barriers have contributed in keeping the makeup of classical music stagnant over the years, dominant media portrayals of the genre ignore the existence let alone the contributions minority artists have made in moving the genre into the 21st century. As a result, classical music not only becomes limited in its sound, it becomes limited in the composition of its artists.
Yet despite the one dimensional representation of classical music and it’s contributors, there are artists who stand to push the preconceived notions of the genre to the side. Two of these artists make up the musical group known as Charly and Margaux. Playing Violin and Viola respectively, Charly and Margaux are the perfect mix of classical skill and contemporary style. Based out of New York, these two masters of the strings add a level of depth and personality to any piece they touch. Initially making a name for themselves through live performances across New York, Charly and Margaux gained internet acclaim through a series of instrumental remixes of popular rap and pop songs. It was from their initial success that the duo has gone on to be featured on a number of projects, working with emerging artists like Nemo Achida to critically acclaimed musicians like Kendrick Lamar. Skilled composers in their own right, the duo utilized their growing online following to crowdfund and independently release their first album of original music entitled Laced followed by their most recent release entitled The Gallerina Suites.
The work of Charly and Margaux is significant not only for the technical contributions they make to the genre, but also for their ability to make a historically restricted genre attainable for a what has been a largely ignored audience. Their ability to collaborate with contemporary artists while remaining uncompromisingly dedicated their classical roots, helps expand the notion of what type of music can be created and by whom. So while my musical talent may never extend beyond 5th grade recorder lessons, Charly and Margaux and artists like them will ensure that a new generation has the opportunity to see themselves across the spectrum of creative spaces.